Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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School of Fontainebleau
Gabrielle d'Estrees and One of Her Sisters (mk05)

ID: 20304

School of Fontainebleau Gabrielle d'Estrees and One of Her Sisters (mk05)
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School of Fontainebleau Gabrielle d'Estrees and One of Her Sisters (mk05)


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School of Fontainebleau

ca 1550  Related Paintings of School of Fontainebleau :. | Gabrielle d'Estrees and One of Her Sisters (mk05) | Portrait of Gabrielle Estrees with her Sister | Gabrielle d-Estree and the Duchesse de Villars | Diana the Huntress (mk08) | Diana the Huntress |
Related Artists:
PYNACKER, Adam
Dutch Baroque Era Painter, 1622-1673
MIGNON, Abraham
Dutch Baroque Era Painter, 1640-1679 Dutch painter, was born at Frankfurt. His father, a merchant, placed him under the still-life painter Jacob Marrel, by whom he was taken to the Netherlands about 1660. He then worked under Jan Davidszoon de Heem at Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts. Sibylle Merian (1647-1717), daughter of the engraver Matthew Merian, became his pupil and achieved distinction as a flower painter. He died at Utrecht. Mignon devoted himself almost exclusively to flowers, fruit, birds and other still-life, though at times he also attempted portraiture. His flower pieces are marked by careful finish and delicate handling. His favourite scheme was to introduce red or white roses in the centre of the canvas and to set the whole group of flowers against a dark background. Nowhere can his work be seen to better advantage than at the Dresden Gallery, which contains fifteen of his paintings, twelve of which are signed. Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of Amsterdam,
Hendrick the Brugghen
1588-1629 Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio's subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox,






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